Co-authored with Irene Sutcliffe – you can follow her on Twitter here
On 16 September, the Sunday Times published an interview with the leader of the Scottish Conservatives, Ruth Davidson. The piece was both about Davidson’s private and public lives (the two can’t really be separated, not in her line of work): her pregnancy and the importance to her and her partner of starting a family, her political career to date, and her desire not to be Prime Minister (despite strong rumours to the contrary). The interview was trying to be a refreshing take on a Conservative politician – as the interviewer points out, on the surface, Davidson is hardly your archetypal Tory, ‘…a working-class, winningly informal, cheerfully profane 39-year-old lesbian former kick boxer…’. The piece even begins with Ruth dancing for the photographer, apparently unembarrassed. She is portrayed as frank, amusing and charming. She has an autobiography coming out, called ‘Yes She Can’, and a lengthy extract from this book, which deals with her breakdown aged 17, is printed at the end of the interview.
In its death agonies, the vestigial remnant of Scottish Labour is convulsing in some entirely predictable ways. One of them, particularly evident recently, has been an even more ferocious assault on the independence movement in Scotland, which they corral – not, a lot of the time, unfairly, but not always entirely accurately – under the label of ‘Scottish nationalism’. Once again, those of us happy to support or work for the goal of an independent Scotland are being balefully admonished for fomenting a ‘politics of division’. This line is common to both Labour and the Tories, of course (and the Lib Dems, but who notices them?). But it’s Labour who make a particular habit of suggesting that this ‘divisive’ politics necessarily has something of the night about it.
As the ill wind of Brexit swirls all around, we find ourselves skirmishing again over the issue of Scottish independence. The Unionist ultras, at least, seem to be in a state of high anxiety, while those who were still holding out for the messianic advent of British federalism are looking more forlorn and friendless than ever. Back at HQ, Nicola Sturgeon surveys the terrain with what I can’t help but imagine is a coolly calculating eye. The way ahead, though, is anything but clear.
Surrounding her is a cacophony of voices offering advice, most of it unsolicited. There are probably as many different views on how a second campaign for Scottish independence should be run as there are surviving partisans of the last one. Everyone has learned the lessons of 2014 – the only problem is that there’s no general agreement on what those lessons should be. Continue reading
Don’t mind me, I’m an oxymoron. Or at least, I think I used to be – which is as much as to say I wasn’t really anything at all. But perhaps I’m oxymoronic no more. I can stand up if I want to and say, hey, everybody, get this – I am an English Scot.
There’s still a good chance that anyone within earshot, even if listening and inclined to give a toss, would be hard pressed to say what that particular label means. It’s new, undoubtedly – it first gained currency during the independence referendum, when a group of English-born supporters of independence launched the group ‘English Scots for Yes’. Math Campbell-Sturgess, one of the group’s most prominent members and an SNP councillor, penned an eloquent account of his own motivations for Wings over Scotland. The label itself went largely unexplored, what with the pressing business of the referendum and all that. Perhaps now, though, we can come back to it. What does it mean?
‘He was not of an age, but for all time!’ That’s what Shakespeare’s friend Ben Jonson wrote in memory of him, a mere seven years after he died, and long before some kind of posterity had had a chance to show its hand. Such claims were not that uncommonly made for poets of the period; but in Shakespeare’s case, almost uniquely, they’ve so far proved true.
What kind of stature is this? For Jonson it’s the capacity to transcend the narrow interests of an era, of a particular time and place – to have the more universal appeal of the great classical authors. We take all this as read, of course, now, in Shakespeare’s case. Yet we’re often reminded, too, that Shakespeare also has a more local habitation.
One of the funniest byproducts of recent political campaigns in Scotland has been the irresistible rise of Angry Salmond. Starting off as a parody twitter account, and now aspiring to the status of monetised meme, Angry Salmond has epitomised the irreverence of the Yes campaign and the new, metamorphosed SNP. This parody celebrates rather than satirises the utopian element in pro-independence politics – a tweet such as the one below, posted on the day of the referendum itself, somehow manages to affirm rather than undermine the cause.
And the funniest thing about Angry Salmond is that he isn’t actually all that angry. Sure, he swears a bit and insults his – and the SNP’s – opponents, but he does so from underneath a pink beret and from behind some very silly sunglasses. When people dress up as Angry Salmond for photos – as they do – they always make sure to smile. The anger, such as it is, is just part of the schtick.
I didn’t mean it to happen – but for a short period, around the age of 18, I think I was an English Nationalist. I liked to go shopping for bad clothes and bootleg tapes in Kensington Market, and one day chanced upon a stall piled with books, pamphlets and pictures that had a beguiling whiff of Albion about it. Albion looked cool, in a fuzzy sort of way. I was hopped up on Blake, enamoured of the martyrologies of Burford, Peterloo and Tolpuddle – I couldn’t get enough of books with titles like The English Revolution, The Making of the English Working Class, and A People’s History of England. Among the literature, the stall had a small stock of badges. I wasn’t sure about some of the symbols, but a neat little St George’s Cross lapel pin looked just the thing. To me, it said Jerusalem – radical promise, utopian affirmation, the memory and hope of a world turned upside down.
I stopped wearing it a couple of months later. Pausing at a table in a pub where an old friend sat chatting with some blokes I didn’t know, I said hello. To my surprise, one of them froze, then recoiled: he was staring at my badge. There was fear, anger, and confusion – it was all hugely embarrassing. If the badge spoke of England, it clearly wasn’t the millennial England I’d been carefully confecting for myself. (With hindsight, I suspect my crew cut, nine-hole docs and MA1 weren’t helping either.) The incident grew a moral or two – that words and symbols couldn’t just be made to mean what I wanted them to mean, damn them, and that the emblems of nationhood had a distinctly unnerving power. It wasn’t a power that could be innocently invoked. My utopian imaginings ought not to be knitted into a dream of England.