At last – definitive proof that there is such a thing as a free lunch!
To mark the release of the new LitLong app for both Android and iOS we’re holding a couple of events about which I’m quite frankly unable to contain my excitement. LitLong is a unique digital resource that allows users to explore literary Edinburgh through more than 600 works which make the city their setting – it’s been put together and developed by a team based in English Literature here, and we’ve been remaking our interface and apps over the last year.
One of the key features of the new LitLong is the ability to make and share ‘paths’ – customised strings of excerpts on any topic or theme that the resource makes possible. So this Saturday, 18 November, we’re holding a free event exploring and making paths through literary Edinburgh. There’ll be all sorts of different activities, a free lunch, and then a chance to explore the settings of Kaite Welsh’s fantastic new contribution to Edinburgh crime fiction, The Wages of Sin, on a tour guided by Kaite herself! You can find further info, and book a place, here. We’d love to see you there!
One of the other things that LitLong does is to bring a lot of long-neglected writing to the surface, much of it by women writers who are less well known than they should be. Since LitLong draws on Wikipedia to inform users about the writers whose work they encounter there, we’re making a concerted effort to create or improve Wikipedia articles on some of the women writers whose books we’re featuring. So on Friday 24 November we’re hosting an ‘editathon’ for anyone who’d like to help us bring these writers out of the shadows. Full training in writing and editing Wikipedia articles will be provided, as will a free lunch, plus LitLong goodies! Please book your place here. We have a Wikipedia page for the event, with practical info and suggestions for articles that might be created or improved, if you want to do some preparation beforehand!
We hope you can join us!
These events are part of the Being Human Festival, supported by the AHRC.
In its death agonies, the vestigial remnant of Scottish Labour is convulsing in some entirely predictable ways. One of them, particularly evident recently, has been an even more ferocious assault on the independence movement in Scotland, which they corral – not, a lot of the time, unfairly, but not always entirely accurately – under the label of ‘Scottish nationalism’. Once again, those of us happy to support or work for the goal of an independent Scotland are being balefully admonished for fomenting a ‘politics of division’. This line is common to both Labour and the Tories, of course (and the Lib Dems, but who notices them?). But it’s Labour who make a particular habit of suggesting that this ‘divisive’ politics necessarily has something of the night about it.
As the ill wind of Brexit swirls all around, we find ourselves skirmishing again over the issue of Scottish independence. The Unionist ultras, at least, seem to be in a state of high anxiety, while those who were still holding out for the messianic advent of British federalism are looking more forlorn and friendless than ever. Back at HQ, Nicola Sturgeon surveys the terrain with what I can’t help but imagine is a coolly calculating eye. The way ahead, though, is anything but clear.
Surrounding her is a cacophony of voices offering advice, most of it unsolicited. There are probably as many different views on how a second campaign for Scottish independence should be run as there are surviving partisans of the last one. Everyone has learned the lessons of 2014 – the only problem is that there’s no general agreement on what those lessons should be. Continue reading
Early one morning, any morning, we can set out, with the least
possible baggage, and discover the world.
So begins the brilliant ‘In Praise of Walking’, by Thomas A. Clark, a poem I’d heartily recommend to anyone. But what kind of world can we discover? That’s a writer’s question, to some extent – the suspicion that discovering means making as well as finding, that discoveries are stories we tell as well as brute facts on which we stub our toes.
Don’t mind me, I’m an oxymoron. Or at least, I think I used to be – which is as much as to say I wasn’t really anything at all. But perhaps I’m oxymoronic no more. I can stand up if I want to and say, hey, everybody, get this – I am an English Scot.
There’s still a good chance that anyone within earshot, even if listening and inclined to give a toss, would be hard pressed to say what that particular label means. It’s new, undoubtedly – it first gained currency during the independence referendum, when a group of English-born supporters of independence launched the group ‘English Scots for Yes’. Math Campbell-Sturgess, one of the group’s most prominent members and an SNP councillor, penned an eloquent account of his own motivations for Wings over Scotland. The label itself went largely unexplored, what with the pressing business of the referendum and all that. Perhaps now, though, we can come back to it. What does it mean?
‘He was not of an age, but for all time!’ That’s what Shakespeare’s friend Ben Jonson wrote in memory of him, a mere seven years after he died, and long before some kind of posterity had had a chance to show its hand. Such claims were not that uncommonly made for poets of the period; but in Shakespeare’s case, almost uniquely, they’ve so far proved true.
What kind of stature is this? For Jonson it’s the capacity to transcend the narrow interests of an era, of a particular time and place – to have the more universal appeal of the great classical authors. We take all this as read, of course, now, in Shakespeare’s case. Yet we’re often reminded, too, that Shakespeare also has a more local habitation.
Over the last year we’ve been putting together a series of five short films about Ben Jonson’s walk from London to Edinburgh in the summer of 1618 (about which you can read more here). Rather than tackle the story of the whole adventure, we decided to focus just on one stretch of the journey – the perambulation taken by Jonson and his companion through the English midlands. So what made us choose that section?
In 1603, shortly after King James VI inherited his late cousin’s throne, a London publisher printed a pamphlet offering his English readership Certayne Matters Concerning the Realme of Scotland. It was part of a upsurge of interest in all matters Scottish, as the northern realm suddenly became of pressing domestic importance to England’s inhabitants.
The pamphlet was a reprint of a tract originally published in Edinburgh nine years previously, and it takes it upon itself to list a range of different facets of Scottish land and life, very much in the manner of the early modern genre of chorography. By far the most enjoyable part of the pamphlet is its final section, ‘A Memorial of the Most Rare and Wonderful Things in Scotland’ – so, for St Andrew’s Day, here’s that section, lightly modernised and with a few editorial glosses. It focuses on natural wonders, on dogs and eagles, lochs and islands, rocks and springs. It’s both a contribution to the folklore of the country, and an attempt to list local marvels for the curious visitor from elsewhere. And it’s great fun – I especially love the idea that mountain hares were once a common sight – allegedly – around Holyrood park!
Loch Lomond, from Blaeu’s Atlas of Scotland
An actor personating Ben Jonson in a risible film. The surviving portrait of the poet suggests a young Tom Baker or Rory McGrath would make a better likeness
Each year, on August 6, the world stops to commemorate Ben Jonson’s death. Well, that’s obviously overstating it, but a few ‘on this day’ tweets go round; likewise, we get the odd mention in almanacs and lists of memorable anniversaries. Westminster Abbey, where Jonson is both buried and commemorated in Poets’ Corner, gets in on the act too. Thing is, this work of mourning also takes place – to a much lesser extent – on August 16 each year, and it would surely be beyond the extravagance even of big Ben to have had two deaths. Indeed, there’s long been confusion over exactly when the most celebrated poet of his age closed his account – and when I say ‘long’, I mean right from the month it actually happened.
Hamlet greets the travelling players – Edward Gordon Craig, from the Cranach Press Hamlet, 1930
The experience of theatrical touring has long been woven from contrasts. On the one hand, there’s the undeniable romance of the road, the fun of exploring new places, but on the other – well, there are the sometimes grim discomforts of being stuck for weeks on end in transit or deeply dodgy accommodation, surviving on an unbalanced diet of pot noodles and gallows humour. Something of these indignities was captured beautifully in Ben Jonson’s evocation of the travelling player in Poetaster: the player Histrio there has the prospect of success as a poet dangled before him, with the singular benefit that he will ‘not need to travail [meaning both ‘travel’ and ‘labour’] with thy pumps full of gravel any more, after a blind jade and a hamper, and stalk upon boards and barrel heads to an old cracked trumpet.’